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Then a marvel at just how many things I've clicked. I love Edgar Wright, especially for Spaced. I love that film, especially for Dinah Washington. By total coincidence, I have new Big Takeover mag.

And jack rabid has live reviews of new z's Robert Forster and joe pernice. I was at both those shows. Oh to go to rock shows ET today and play one of her favorite songs, along with a message from her family. Lovely shew you're putting out there, Pseu. FYI, finished watching "Dark" last night. Loved it! I'm in! Black lives matter. When will it be realized? This is so sad. When will it end? It'll spur one to action. Lyrics are mainly entirely?

No future - until the day he enrolls into a personal development program based on a very simple idea: say yes to everything. Carl discovers with amazement the magical power of "Yes", and sees his professional and romantic life turned upside down overnight: an unexpected promotion and a new girlfriend.

But he'll soon discover that better can be good's enemy, and that not all opportunities should be taken. One word can change everything. Rated PG for crude sexual humor, language and brief nudity. Did you know Edit. Trivia While filming the scene in the bar where Carl runs into a waitress and falls on his back, Jim Carrey did the stunt incorrectly, fell to the floor harder than he expected, and broke three ribs in the process.

Goofs In the scene where they travel to Nebraska and attend a football game and their friends see them on TV, the bottom of the screen reads "Nebraska vs. It should read the other way around; as they were in Lincoln at a home game; the home team appears second. Quotes Allison : The world's a playground.

Crazy credits There are no opening credits. The title doesn't even appear on screen until the start of the end credits. User reviews Review. Top review. Don't be a no man! I went to this film as one of those process-of-elimination things: Valkry had Tom Cruise, my friend had already seen Benjamin Button, Spirit's show-times suck, my local theater is idiotic and not showing Doubt or Slumdog Millionaire, all leaving Yes Man which neither of us were enthused about, but hey!

We were shocked to leave the theater with our lungs hurting. The movie was well thought, well executed, and the humor was smart, snappy, and so far from the usual toilet humor of Jim Carrey. I was throughly and delightfully surprised with this film.

On the note of message: I think this film actually has a very valuable message. Never in the history of humankind has the average person had so many opportunities to live life in ways never before imagined, yet never before have we been so isolated.

Media Player Winamp. Editar playlist. Cancelar Borrar. Cancelar Salir sin guardar. Borrar playlist Cancelar Guardar. After the cantabile trio, a majestic reprise of the main theme brings the work to a close. Proceeds from the sale of this work are being donated to the Japanese Red Cross Society Emergency Relief Fund allowing wind bands from around the world to support the people of Japan as they recover and rebuild from this tragedy.

Is this real or is it a dream? It is hard to know First is Het was een maged uitverkoren She was a virgin chosen , followed by Maria die zoude naar Bethlehem gaan Mary would go to Bethlehem. This marvelous setting ends with a festive repeat of the third movement, the stately chorale. That fact that these carols are still popular today after hundreds of years is a testament to their enduring power and beauty.

This suite includes Gaudete, a song of praise from the Middle Ages, Coventry Carol, a song of lament from the 14th century, and the familiar In Dulci Jubilo. Exactly years later, Robert van Beringen has arranged this work for concert band in a setting that can be effectively performed either with or without chorus.

Franco Cesarini Mitropa Music Here is an inventive and fresh-sounding concert band arrangement by Franco Cesarini on the popular Christmas carol. One of the oldest and most traditional English carols, The Holly and the Ivy features a melody based upon an 11th century French song and has been reworked over the years by numerous recording artists.

Bert Appermont wanted to cast knights, castles, and princesses at the center of the festivities and let younger ensembles enjoy this rich fantasy.

Dur: Grade 2 Score and Parts Dur: Grade 1. With easy-to-use Search and Browse tools, you can choose from the extensive Hal Leonard catalog of band music, of all styles and levels from the most widely-played composers and arrangers today.

You can review virtually any aspect of a piece before purchasing. Superb audio recordings are included to give directors the luxury of hearing a great performance while viewing the score or parts. With the latest in electronic delivery technology, secure and legal music can be printed on demand.

Formatted to work with standard printers, the use-to-use interface gives directors the option to print scores and parts at their convenience. The speed and efficiency of digital delivery gives directors incredible new options to select, own, and perform music for any of their instrumental groups with no waiting or guesswork.

You can order it tonight and play it first hour tomorrow! Band Music Direct is online now in cooperation with your favorite participating digital retailers. Visit bandmusicdirect. Hosted by the powerful Charms Office, EEi introduces the first-ever, easy set of online learning tools for Essential Elements beginning band and string students. Edit, personalize, and print on your PC or Mac computer. Bach — Sixteen Chorales G. Transcribed by Mayhew Lake. The etudes and chorales are in progressive order of difficulty so bands of all levels can find appropriate starting places and progress from there.

Smith Claude T. Smith drew upon his years of experience working with bands all over the world to develop this creative ensemble techniques method that gives all you need to warm-up your group and systematically improve your ensemble.

Smith Written in a wide range of keys, this comprehensive collection of 46 etudes is divided into four sections based on time signatures. Individual part books contain both Part A and B so players can switch back and forth at any time. Exercises cover all fundamental rhythms, meters, and mixed meters. Ideal as a supplement or primary reading method. Now even better with the addition of a demonstration CD showcasing the exercises featured in the book.

Useful for any instrument or voice. He tells tales of some of the most fascinating people in the musical world, including Frank Sinatra, Leonard Bernstein, and John Williams. He takes the reader to the great concert halls and orchestras, soundstages in Hollywood, and opera pits around the globe.

Covering everything from learning how to read music to standing in front of an orchestra for the first time, what to wear, and how to deal with the press, Conducting Business is a unique look at a unique profession.

It methodically simplifies preliminary score study and initial rehearsal preparation for all conductors of band, orchestra and chamber ensembles.

It is enormously valuable for practicing conductors from elementary school to those leading professional ensembles. As a supplement to undergraduate and graduate level instrumental conducting classes, it is an extremely effective text. Instead, it focuses on the skills, knowledge and experiences needed to become and function as a conductor-teacher. Comprehensive, step-by-step techniques are presented for all aspects of beginning wind instruction, as well as guidelines for organizing a band program.

Other features include tips on resumes, interviews, and securing a position, and practical advice on relationships with administrators, parents,and colleagues. In addition, each chapter includes disc ussion questions for pre-service and young teachers as they prepare for their teaching future. Also included are interviews on the art of conducting with Pierre Boulez, Christoph von Dohnanyi, Kurt Masur, Herbert Blomstedt, and Richard Hickox as well as interviews with professional musicians who reminisce about playing under the batons of these great Maestros.

With no-nonsense advice and practical tips, this guide will prepare music students and their parents! These valuable collections are like finding expert trade secrets all placed together in easy, quick-to-read volumes.

This book tells how Conway became one of the luminaries of the professional band era; as famous in his day as John Philip Sousa. Both inspirational and instructional, they will surely change the way music educators teach and think about music.

Filled with personal experiences, anecdotes and wonderful quotations, these easy-to-read books are essential treasures! This text contains valuable information on this important topic for all musicians, including music directors, conductors, student librarians, community volunteers, professional performance librarians, and performers.

Based on personal experiences ranging from the hilarious to the life changing, this collection of Zen-like stories will guide you along an artistic journey of musical growth and enlightenment. The material contained within these pages is a timely testament to the importance and validity of music to make a positive and profound difference in the world we inhabit.

Small ensemble playing is beautifully contrasted with full band writing, and solo space is included for guitar, trumpet and drums. A Mark Taylor sax soli, shout chorus, and even some group improvisation round out this impressive offering! John Clayton Written for the Ellington orchestra by saxophonist Johnny Hodges, this catchy riff-based tune swings hard from beginning to end.

After the hard-hitting opening, solos are exchanged by tenor, trombone, trumpet and piano. In typical Clayton-Hamilton fashion, the piece roars to an exhilarating full tilt finish! Richard Tuttobene This Beatles classic is treated to a creative and varied setting in this production number from Richard Tuttobene. The lush chorale-like opening leads to a jazz waltz setting of the main theme featuring a flugelhorn soloist.

The full ensemble is featured in a straight ahead swing section and the slow chorale style from the opening makes a brief yet effective return near the end.

A unique tour de force for mature ensembles. Includes solos for alto and guitar. Opening with a piano introduction, this medium swing chart progresses through statements by the saxes, expertly woven brass figures, and shouting ensemble sections. Includes solo space for trumpet, tenor and piano. This definitive version is a masterpiece of arranging craftsmanship! Newly edited and professionally prepared, this edition belongs in the library of every serious jazz ensemble.

John Clayton Feature the vibes or piano with this creatively arranged standard that was written specifically for vibes legend Milt Jackson heard on this excerpt. The melody is bookended by plaintive statements for solo alto sax, and the ensemble provides a lush accompaniment throughout.

Records Inc. Since its last performance 15 years ago, additional movements have been disc overed that were originally intended to be a part of the work. Prepared and edited under the guidance of Gunther Schuller and Sue Mingus, it provides a monumental resource for study and analysis.

The first jazz composition of such magnitude ever to be published, it is presented in this edition as he left it: a summary work, a portrait for all time of his life in music. Song with Orange arr. John Stubblefield Sy Johnson Michael Philip Mossman Jack Walrath Steve Slagle Boris Kozlov Ronnie Cuber Andrew Homzy Oscar Pettiford arr. John Wasson One of first tunes to put the group Chicago on the map was this early rocker from John Wasson stays true to the original in this outstanding version for jazz ensemble that features solos for alto sax, guitar, and all the signature horn licks.

Mark Taylor One of the signature tunes from jazz legend Thelonious Monk is this quirky and iconic blues! Solos are included for tenor, trumpet and drums, along with marvelous writing for the entire band. Michael Mossman takes this familiar hit and adds his own unique touch.

The middle section goes into a double time swing and includes a solo for tenor sax, a soli for the saxes, and also a drum break. All the familiar lines from the original are still there too. Keeping the uptempo swing style of the original, this chart soars through the chord changes with skill and fluency, and features solos for trumpet and tenor. Rich harmonies and an infectious groove help set the stage.

And with careful pacing and tight ensemble figures, this makes an appealing change of pace for any concert or festival. The soloist is alternated with flowing accompaniment passages, and later an ensemble shout that starts out in a full band unison. Moderate ranges and technical demands will allow you to focus on the style and feel of this marvelous arrangement. Along with the jazz standard La Fiesta, the mesmerizing ballad introduced on this album was Crystal Silence. Mike Tomaro does a marvelous job of maintaining the ethereal and lush qualities of the original in this outstanding setting for jazz ensemble.

A stunning choice for contest or festivals. Richard Tuttobene One of the classic hits from The Who, this hard-driving rocker has stood the test of time, and is often found today used in film and TV. The chart features intense energy throughout, and solos are included for guitar and drums. Arranged in a medium swing style, this smooth chart relies on a rich, full ensemble texture and a relaxed feel. The saxes get a chance to shine, and there are also solos for trombone and piano.

Michael Philip Mossman In the able hands of master arranger Michael Philip Mossman, this popular standard from the s takes on new life. Using a mix of cha-cha and mambo styles, this marvelous arrangement becomes a solo vehicle for tenor sax, along with ample space for the full band to shine.

Throughout, this chart is loaded with impact and attitude! Richard Tuttobene With some creative twists and turns, but always with an underlying sense of drive, this arrangement takes this ZZ Top classic into some exciting uncharted territory!

Thick ensemble textures are combined with a moderate rock pulse, and also included is a solo for tenor sax. Mark passes the melody around to different sections, but the style is always smooth and silky!

Includes solo for tenor sax. Mark has retained elements of the original version using a small group alto, tenor, trumpet and trombone on the opening statement, then the saxes playing the important secondary theme. Included after the flexible solo section is a sax soli, ensemble shout, and stoptime section featuring the drums. This chart is destined to become a classic in itself.

Mike Tomaro Few jazz ballads have been performed as consistently as this Thelonious Monk gem. Beautiful lines and striking harmonies help create a real standout arrangement. This up-tempo swing chart can be used as a vocal solo, duet, or as a feature for tenor sax.

Capturing the bluesy flavor of this version, here is a vocal solo feature sure to bring down the house. Can also be used as a tenor sax feature. With tasty accompaniment figures and a relaxed feel, your vocalist will have a blast singing this chart, and sound great too! Mark Taylor In the skilled hands of Mark Taylor, this medium uptempo jazz standard from Miles Davis works perfectly in this 6-horn format. Carefully using the combination of saxes and brass to full advantage, this one swings hard from start to finish.

In this arrangement for Little Big Band, a trio of trumpet, tenor and guitar state the head in the beginning joined later by the rest of the ensemble. Solos are included for trumpet, tenor and drums. And Mike Tomaro adds a few twists of his own in this appealing chart. A perfect way to showcase a trumpet soloist, the full ensemble also plays in important role in this sophisticated and dynamic arrangement for little big band.

Featuring a nice medium swing feel, and the flexibility for open solos with backgrounds, this will be fun to perform and easy to prepare. Mike Tomaro Mike Tomaro uses tight harmonies and a smooth Bossa Nova style to revisit this timeless standard. A perfect fit for the 6-horn format, and a nice change of pace for programming.

Scored for 6 horns, this arrangement will sound great with limited amount of rehearsal time. In this terrific chart for younger players, Rick Stitzel uses some nifty phrase extensions in the beginning, then alternates the full ensemble with statements by a small group.

Solos for trumpet and tenor sax are also included. Mark Taylor Made famous by the Modern Jazz Quartet, this medium swinger is a great addition to the literature for young jazz players.

This is a great example of quality writing for young players. The trombones take the lead at the top followed by the trumpets then saxes, until finally the entire ensemble cuts loose. Includes solos for trumpet and alto sax. Great sounds for young players! Includes a flexible solo section and optional whistling on the melody. Paul Murtha Recorded by Bruno Mars, this contemporary rock tune is actually a throwback to an earlier time reminiscent of James Brown. Featuring an energetic pulse that never quits along with a catchy melody, this chart is destined to Paul Murtha become a showstopper!

The solo section includes options for alto, trumpet, or trombone. The brass get their chance, and a modulation kicks things into high gear to finish up. Also included is a solo for tenor sax. John Wasson The music of the Jackson 5 remains as popular today as ever.

Here is one of their biggest hits from the Motown era in a funky arrangement by John Wasson. Skillfully scored for the entire band. The melody is traded around to various sections, along with counterlines and background patterns skillfully woven in. Requires no solos. Roger Holmes captures the unique sound of the original and includes a flexible solo section along with hot sounds for the entire band. John Berry Recorded in and becoming one of the signature songs of The Carpenters, John Berry gives this tuneful classic a fresh take using an upbeat Latin groove and some nice harmonic substitutions.

This smooth-sounding arrangement is an appealing way to revisit this well-known pop hit from the past. John Wasson Recorded in by Martha Reeves and the Vandellas, this moderate tempo rock hit became a signature tune of the Motown sound.

Featured are short solos for alto and trumpet, as well as melody opportunities for all sections. With a driving rock pulse and the unmistakable brass riffs, this chart works great for young jazz ensembles.